Insurance can be powerful on screen when it tackles a relatable problem. Some easy plot paths that do not feel like an ad break.
Afrobeats drives radio, clubs and Reels. Smart brands borrow its rhythms without copying artistes or sounding forced. Here is how to get the culture right.
Luxury placement in Nollywood works when it serves character, not just product visibility. A look at what is landing and what is falling flat.
By the time a film hits cinemas, the real campaign is already six months old. Here is why pre-production PR decides box office fate.
Picking influencers by follower count alone is the fastest way to burn a campaign budget. Here is a smarter casting framework.
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Anne Schedeen, who played the family matriarch on a popular 1980s sitcom about an alien living with a suburban family, has died at 77. Schedeen’s grounded performance as the family’s mother helped anchor the show’s blend of comedy and heart.
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Susanne Daniels told Deadline that YouTube initially struggled to support a breakout series on its originals slate, a mismatch that contributed to the show finding bigger audiences elsewhere. Daniels also predicts platforms like YouTube will revisit original programming with renewed focus.
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Filthy took top honors at Sheffield DocFest 2026, reinforcing the film’s festival momentum. Deadline’s coverage lists all winners and category details.
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Sean Penn has reportedly set his sights on Bradley Cooper for a planned film about the January 6 attack. The early-stage project raises creative, ethical and commercial questions about how to dramatize a recent, contested event.
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A charged reunion in the episode “Toledo” propels The Vampire Lestat’s second episode, sharpening character motivations and injecting fresh momentum into the season.
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Industry voices argue Nigeria’s entertainment future depends on strong television as much as prolific filmmaking. Series offer deeper audience engagement, steadier jobs and new revenue if the industry invests in writers, financing and distribution.
