Bolanle Austen-Peters’ The Man of God is a bold, honest film about spiritual hypocrisy, self-discovery, and the clash between tradition and ambition. It doesn’t shout or preach—it lets its characters stumble, grow, and implode. What makes the film notable is its delicate balance: it’s not anti-faith, but it is anti-facade. It gives voice to a silent generation […]
Kemi Adetiba’s King of Boys: The Return isn’t just a political thriller—it’s a sonic experience. Every chant, every underscore, every ominous hum contributes to the storytelling. The music does more than accompany scenes—it speaks for them. This is what we marketers call sonic branding—the use of sound to evoke emotion, build memory, and define identity. From the haunting […]